Inside the Making of ‘Andor,’ the Star Wars Series That Changes Everything

for a feeling Who Creates Ambitious New Disney+ Series internal management and Different from everything else in the ever-expanding Star Wars universe, consider this: No Jedi will appear in the show’s two allotted seasons, but in the first episode, there Is A scene set in a brothel – a first in the entire live-action history of the Sexless saga.

For showrunner Tony Gilroy (who wrote and directed the 2007 classic legal thriller) Michael Clayton and wrote the Bourne movies), throwing a delicious acknowledgment of the existence of sex work in the same galaxy that spawned Jar Jar Binks, Ewok, and Grogue was a test of sorts for the Lucasfilm-Disney empire. “It’s definitely a good thing when you get to say that first episode, ‘Wow! Well, this show’s gonna be like,'” Gilroy says. “It was a marker, but it was a marker of the story.” Good for too. It did a double duty. ,

In the series, which has a three-episode premiere on September 21, Diego Luna reprized his role as the dashing, sometimes murderous rebel Cassian Andor, which was introduced in 2016. evil one, Along with the rest of the main characters in the film, Cassian sacrifices his life to plan the Death Star to the Rebels, closing all the events of the original Star Wars trilogy. internal management anddetermined in the last five years evil one, will fill in the character’s backstory – but it’s only part of the game plan of the series. “It’s unfair that the show is called internal management and“Because it’s quite the outfit,” says Luna.

the greater purpose of internal management and The show is meant to show the birth of Rebellion Against the Empire, a rebellion that is barely present when the show’s narrative begins. “its winds of war, in fact,” Gilroy says, referring to the old book and TV miniseries about the early days of World War II. “The war is coming.” The stories and characters tend to be grassroots; even A plot twist also ensues, where a character calls the Imperial Police on Endor due to romantic jealousy, fresh territory for Star Wars. “It’s the most premise Star Wars can get,” says Luna. We are emphasizing that change and revolution happen when regular people decide to do something. It’s just regular people trying to survive in the darkest times in this galaxy, and finding out they can’t take it anymore. It is about a system that is strangling the society.”

And then it’s definitely No Of the Jedi, Gilroy says, “It’s a very digestible subject. “If you think about it, most creatures in the galaxy don’t know about the Jedi, and they’ve never seen a lightsaber. That theme and the Star Wars royal family have been chewed on for a long time. It’s like, There’s a restaurant and we’re in the kitchen. That’s what’s going on under the other stuff.”

Early on, we learn that Cassian is a refugee from the indigenous population of the planet exploited by the Empire for its natural resources. For Gilroy, the backstory gives a cosmic explanation for Luna’s pronunciation, and explains a key to Cassian. evil one Lines: “I’ve been in this fight since I was six.” Luna, meanwhile, ties the origin story to her Mexican heritage. “I come from a country that has the longest border with the states,” he says. “We are the relations of good and bad of the whole continent with prosperity, power, opportunity. This place is made for those who move forward, trying to survive, escaping violence, escaping such rule. There are people who are violent or marginalize people. And for me, there’s an opportunity to mold that character into something that feels very real.”

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Gilroy (left) and Luna on set.

Des Ville / Lucasfilm Ltd.

evil one In more ways than one, Gilroy was also introduced to the Star Wars universe. He’s long been the go-to script doctor—a writer turns studio when a movie is in trouble—and Wicked His highest-profile rescue operation became after Lucasfilm was extremely dissatisfied with the first cut. As far as Gilroy is concerned, his personal distance from Star Wars was an advantage, both on the film on which he reportedly oversaw the reshoots (director Gareth Edwards kept sole credit), and on the show. “I’ve never been interested in Star Wars,” he said in 2018 Moments with Brian Kopelman podcast. “So I had no respect for it.”

Gilroy sometimes softens that stance a bit. “I wasn’t the Star Wars-averse,” he explains. “It wasn’t, you know, high on my menu. It wasn’t something I paid that much attention to. It’s really easy, [with] Star Wars, for the really smart people to lose their way. And strangely enough, it seems they care too much. Some form of altitude sickness or dizziness occurs, and they have lost some natural abilities or perceptions in some way. And it was helpful, at least Wicked, to be super-clinical and say, ‘Hey, why are we choosing to die?’ You really have to care about the people who are going to sacrifice themselves if that is the raw material, the engine of the story. ,

Later evil one Gone from a project in deep trouble to the most universally beloved Disney-era Star Wars film—as well as one of the most grim and most morally ambiguous entries in the entire saga—Gilroy was given “a sense of excitement and possibilities.” Remember the feeling. Lucasfilm. CEO Kathleen Kennedy soon expressed interest in continuing the story into a prequel form, and once again on the success of Disney+ and Mandalorian Having opened the door to episodic TV storytelling within the universe, an Endor series became a top priority.

“My conversation with Kathy was sky-high,” Gilroy says. “‘Can you do that? Can you do this?’ The galaxy is simply vast. There are billions of creatures living their lives. And so far the narrative has centered on a singular group of people in a centralized story. It seemed like there were endless possibilities to take it. [away from that],

The original concept for Lucasfilm was a five-season show, with each 12-episode season consisting of a year in the story, and both Gilroy and Luna initially signed on to that huge commitment. “I realized how much I missed the job and missed the character,” says Luna. But while they were shooting the fifth and sixth episodes of the show in Scotland, the two sat down, had a few drinks and decided they had agreed to an impossible plan. At the rate that the show seemed to make, five seasons turned out to be a 15-year commitment. “It was like, ‘We can’t possibly do this,'” Gilroy says. “It’s a massive, massive undertaking, and Diego won’t be able to play a younger man in the next 15 years. We wouldn’t be able to do it physically. And we were like, ‘Oh my god, what do we do? gonna do?’ So at first it was desperation, and then presented a very lucky, elegant solution.”

The solution was to push against the inevitability of ultra-serialized storytelling in the streaming age. With permission from Lucasfilm, they decided to dramatically speed up the pace, and turned the show into a 24-episode limited series. internal management andThe first season, which included a year’s worth of events as planned, had already been divided into three-episode blocks, each block directed by a single director. For season two, which begins production in November, each three-episode block will comprise one year.

Especially for one of the stars of the show, Time Jump will be another opportunity to explore the evolution of a character she never expected to play for so long. for 2005 revenge of the SithGeorge Lucas cast Twentysomething as Genevieve O’Reilly as the younger version of Mon Mothma, a character who was introduced in a small but important role in 1983. return of jedic As the royal leader of the Rebel Alliance. (The classic line from “Many Bothans died to bring us this information” was Jedi The version of the character played by the late Caroline Blackiston—O’Reilly has seen that scene several times to absorb as much as she could from the brief performance.)

“I stepped into Carolyn and George’s Mon Mothma composition at a very young age, and I was so excited to be a part of it,” says O’Reilly. revenge of the Sith, filming footage that mostly didn’t make the final cut. “C-3PO, Anthony Daniels, he was in one of them” [Sith] sight. It was such a big part of my childhood that it was quite astonishing to be immersed in it as a young person. I remember stepping on those soundstages. It was one of my first gigs, and I didn’t know I’d still get a chance to play him 20 years later. ,

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O’Reilly Mon as Mothma, standing in the Imperial Senate.

Lucasfilm Ltd.

O’Reilly reprized the role for the first time evil onebut in internal management andFor the first time ever, Mon Mothma will be a true main character. When we meet her, she is serving in the Imperial Senate, while also secretly cooperating in the nascent rebellion – initially, we get to share her secret with the newly created Luthen Royal, another major character in the series. Watch the Meetings, played by veteran actor Stellan Skarsgard (breaking the waves, Thor) O’Reilly says, “It was so interesting about getting back to Mon Mothma this time too.” “Previously, she has been such a public figure, a great statesman. But who is he behind that veil? What you get to see for the first time is not just a senator, but a woman. ,

Another major character is the first real villain introduced in the series, Junior Imperial official Cyril Karn, played by Kyle Soler, an American actor who trained in the UK and found success in theater there – a considerable addition to Imperial characters. Common ancestry, although they are usually of Native Britain. “What is it about British stage training that lends itself to playing evil dudes in Star Wars?” Solar Muscles. “That’s a really good question. Does it train you to express well the desire for repression and anger and power and control?” In any case, Cyril, who develops a Javert-like obsession with Cassian, is a slightly comic character, so sharp that the other Imperials annoy him. “All the Empire dudes who are super-starchy and everything is like, ‘Wow, that guy needs a fucking vacation. Like, he’s taking this too far,'” he says.

The show has moved far enough away from traditional Star Wars territory that Soler, for one, was able to focus on his role and get the larger context of the saga out of his mind. almost. “There came a certain moment within filming when I forgot we were in Star Wars,” Soler says. “It was in the middle of the pandemic and everyone was happy to be working and surviving and so in the middle of this sociopolitical, complicated, family-drama-spy-thriller thing that Tony made. I was walking on the main, huge town set that they built, which was one acre and an acre wide, and a group of 200 people were getting together just before our filming. And suddenly they parted, and about 50 stormtroopers were in a row. And I spilled coffee on myself. Like, ‘Holy shit, I’m in Star Wars.'”

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