Nick Kroll says kiss with Harry Styles in Don’t Worry Darling was completely improvised

To quote a song, Harry Styles and Nick Kroll kissed in the kitchen as if it was a dance floor. Or, if not a kitchen, a mid-century decorated living room.

The two actors share a quick peck on the lips in the opening scene of director Olivia Wilde’s thriller don’t worry dear Joe’s out today (it’s a kiss he repeated on the red carpet at the film’s world premiere at the Venice Film Festival).

But Kroll tells EW that the moment wasn’t scripted, or even discussed with Styles before it happened. “We just went for it,” he laughs. “It wasn’t like, ‘Hey, in this next take, let’s kiss.’ It was the excitement of the moment. As, apparently, it was in Venice too. There had been no conversation before, ‘Hey, heads up, let’s kiss in front of the whole world.’ But I definitely feel like my stock went up with my nieces and nephews. And every teenage girl and boy around the world.”

Describes the crawl environment don’t worry darling Set as playful and loose, it makes it conducive to moments like the kiss taking place organically. That scene, though it opens the film, was shot on the final day of filming, and is the perfect encapsulation of that freedom.

“The opening scene of the movie was the last day of production because of COVID and everything was going on,” Kroll explains. “That scene is supposed to be the height of really funny, loose Rat Pack energy. Olivia let us play and improvise. That just happened organically. And then she used it in the movie.”

don’t worry darling Follows the happily married Jack (Stiles) and Alice (Florence Pugh), whose idyllic life is straight out in a cul-de-sac crazy man is interrupted when Alice begins to wonder if everything is really as it seems. Kroll, Jack’s neighbor and co-worker, and Wilde’s Bunny’s husband.

We called Kroll to find out not only about smacking Styles, but to talk about why he’s looking forward to doing more drama, and about the true nature of attending the premiere in Venice. to talk.

don’t worry darling

Warner Bros. Pictures

ENTERTAINMENT WEEKLY: So, you and Harry, engagement announcement coming any day now?

Nick Kroll: [Laughs] Ironically, Harry was the first person to find out that I was engaged. Because while we were shooting for the film, my wife and I got engaged. And I was talking to the cast, like, “How am I supposed to do this?” And I had a long conversation about what to do, and then proposed the next day. Harry texted me like, “Has this happened yet?” And I was like, “Yeah, and he said yes.” And Then We told my parents, so literally, she is an active part of my marriage. We’ll see what happens from here.

All your cast mates are very experienced actors except Harry. Tell me more about that working relationship.

You would never know that he hasn’t acted much. He is such a natural artist. It was such a stacked cast. Starting with Florence, who is such an accomplished actress at such a young age, is therefore in control of her instrument. Chris Pine doesn’t usually get to play the role of a villain. She’s so creepy and nice in the movie, and Gemma Chan’s role of his wife is a little scary but elegant.

I’m playing with Olivia, who directs the film. I am playing her husband. There is a lot of praise for being cast to play the director’s husband in the film. It was very impressive to see him direct and act simultaneously. Everyone across the board is very good at their job. You’d never know that Harry is like two movies. When you’re a talented, smart person, it’s no surprise that he’s good at acting.

Speaking of playing Olivia’s husband, how did he cope with pulling double duty? Did you have a little more management to make sure he could get in and out of that off-screen role?

She was very supportive of how things would go. She wanted people to give input to the entire board, the actors and all its department heads. She wanted to work in a collaborative fashion. But I also knew she was going to be busy settling a lot of things. I took it as a vote of confidence that she was like, “Well, you’re playing my husband, we’re just about to get into the scene. I don’t think I need to worry too much about you.” I felt like, “You know what you’re doing — so here you are. Go do it. If I need something different, I’ll let you know.” To her credit, when she’s on the scene, she In venue. Then when they say cut, you say, “Oh, right. You’re also directing everything to happen.” It is a very difficult thing to do. And she never made me feel like she wasn’t present in the scene with me when she was acting.

Does that mean you can put on a little weight, like: Hey guys, I’m the director’s imaginary husband?

I am always trying to lose weight. If someone knows anything about me and show business, I love a lot of power plays. I like to play games with people. It’s definitely how I got to where I am. No, in fact it was a lot of fun. It was also among the dead of COVID, pre-vaccine. It was a very strange time to make a film. The film is horror, and it is a thriller. And underneath, the glossy exterior to this film is a much darker story. While we were shooting all these bright, interesting, fun scenes, we were also in the grip of a pandemic in Los Angeles. I think there’s some uneasiness and something scary about COVID inside this film. Even if it is not directly so.

You play the role of this businessman who is a little jerk. From clothing to architecture what was it like living in that space – are you shopping? crazy man reboot now?

I’m still waiting for Jon Hamm to sign me. as a fan of crazy man And Yuga, it’s so beautiful to look at. We shot at the Kaufman House, one of the first mid-century modern architectural pieces. I don’t think any film would have ever been shot there. This is the scene where Chris Pine is giving his big speech at his and Gemma Chan’s house. Pine is wearing these beautiful mid-century fabrics, and you’re going to be watching this epitome of mid-century modern architecture walk down these insanely rugged Palm Springs mountains as the sun sets. The colors are incredible. The combination of these very striking, modern lines and these beautiful zigzag mountains – everything about it was so aesthetically pleasing. Beneath this, though, is this really scary underbelly that’s always just beneath the surface. That push and pull was really fun to be present.

Did the whole cast know what the story was from that scuffle? Or did Olivia split things between the cast? Who knew when what?

We were all on the same page. Olivia acts in a way that she trusts the people who are working in this movie [enough] To give them as much information as they have: let them help me figure out the best way to do it. I’m not saying any of us were directing the movie, but I really like the sentiment: I want to trust that if I give people information, it will help them make up the world. . There was no secret who knows how this world works.

Chris Pine is playing this sinister guy, doing something different, and you’re doing something different while doing a thriller. Have you both come with a new energy? What was it like for the two of you living in this new place to mess with each other?

It was fun. Whenever people get to do something they don’t always get to do, it’s refreshing and it feels exciting. Olivia populates the film with Asif [Ali] And me and Kate Berlant, who are all comedy people. Then you have a Harry, who hasn’t done a ton of movie acting, and Chris is playing a different kind of character. Olivia wanted everyone within their limits to play things they knew they could do, but people don’t always expect that. It means that everyone is excited to be there and doing something they don’t always get to do.

The film premiered in Venice, from which you produced some very entertaining social content. What was the experience like?

In this particular year, whether it was real or not, it felt like the world was watching. You’re, like, watching Timothée Chalamet walk the red carpet wearing a backless shirt. And it seems like everyone knows for some reason or the other. And then it’s like, well, I guess I’m going right into that. I’m at a place where I can’t believe I get to do this and be a part of something that I’m so excited about, but at the same time, frankly, happy with it all. I wear a fancy electric blue tuxedo and be photographed in front of the whole world and then kissed by Harry Styles. It’s a total trip.

When you’re a little kid and you think, what’s the point of being in the movies, it’s some version of going to the Venice Film Festival and boarding water taxis and showing up at a fancy party and wearing fun clothes and seeing and watching. meeting people. I met Steve Buscemi at this festival and became friends with him. And I was like, I can’t believe I’m walking into the Venice Film Festival with Steve Buscemi and Martin McDonagh and Phoebe Waller Bridges, and all these people whose work I have long respected.

As much as we all love making you laugh, do you want to pretend more?

Oh of course. I haven’t done any such films. Oddly enough, I’ve played a lot of characters from the 1960s — in cute And operation finale, I have never been in a thriller before. That’s why I feel so fortunate in my career that I get to do all kinds of roles and all kinds of mediums. The fact that this movie is coming out on the 23rd, and my stand-up special, little big boy Coming to Netflix four days later. And it’s a lot more personal, much more vulnerable than anything I’ve done on stage before. It’s not about being a douche or playing a character. This is me and my experience as my life has changed from getting married and having a child to the Peter Pan Complex. It is also very different from people who are fans of my comedy. Combining those two projects at the same time is really interesting, and I feel so lucky that I get to do these incredibly different types of projects that are equally gratifying in their own way.

Was there anything that was important to you in terms of understanding the line between the superficial level of the beauty of this world and the feeling of something disturbing below?

When Olivia talked to me about it, my character’s name is Dean. And she’s like, “I want her to have a Rat Pack vibe and feel on the surface, like Dean Martin. You’re the one to keep the party going. Everyone has fun with Dean. And I want that.” You have camaraderie with her friends and enjoy that fun vibe.” It was really helpful. But then under that, you’re basically in a cult. And it was right when all the NXIVMs, all those cult stories, were coming out. It was a perfect time to be imbued with that obedience to this gorgeous, sinister underbelly in what seemed like a perfect time. It was great fun for me and Olivia to play – beneath the surface – a couple of cuckoo birds.

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