‘Wendell & Wild’ Review: Key & Peele Reunite for Henry Selick’s Spectacular Stop-Motion Vision | TIFF 2022

There’s something delightful about stop-motion animation that you won’t find anywhere else. It’s not like every frame is the result of countless hours representing a collaboration between an entire team of craftspeople, although that’s certainly part of it. What really makes it shine is that every detail, from the way the light illuminates the water, to the facial expression, marks the creation of an imaginative and lively experience, excavating from the ordinary. . when in the hands of the director Henry SelickKnown for the most wondrous Nightmare before Christmas and disturbing CoralineSo you have the ability to do something really special. With his first film in over a decade, wendell and wilde, we see that potential come to life brilliantly. It presents a glimpse of the pinnacle of the form itself.

Collider Video of the Day

Based on an unpublished book by Selick, the film matters too Jordan Peele As a co-author and all the better for it. The two prove to be great collaborators as the story draws into both their respective sensibilities that work in perfect synchronicity. It all starts with young Kat (song ross) who, after a tragic accident that took the lives of both her parents, grew up in a world with no one to turn to. She gets caught up in the nightmares of the juvenile justice system during her formative years, where justice is a misnomer. Now 13 years old, she is given a second chance by sending all girls from the community in which she grew up to a religious school.

An opening campaign establishes that the area has been destroyed and is originally a ghost town. It all started with a fire that destroyed his parents’ business and a corporation began forcing people from the community to build a private prison there. It’s all too much for Kat to handle, though we see how she’s learned to shut herself off from the world and her past in order to survive. Before we get to his demons, both literal and figurative, that he will have to face down to preserve the future of the city for himself as well. This is where Wendell’s tithe demon pair (Keegan-Michael Key) and wild (Peel) come into play. Finding himself trapped under the thumb of his father, Buffalo Belzer, voiced by a lively wing rumsThey learn that their magic hair cream has the power to bring the dead back to life.

RELATED: Phil Tippett’s ‘Mad God’: A Visionary Stop-Motion Horror 30+ Years in the Making

It can also elevate him, which the film refers to him as “tickling his stomach” and gives him a vision of Kat. They soon start flirting with her in the hope that she will help him get money to build a monstrous theme park away from a monstrous theme park built by their father. It’s all funny and silly in a way that can feel a little over-stuffed, though the lighter tone holds things together. Kat, when she learns about the magic cream, wants to use it to bring her parents back from the dead. This is followed by an adventure film where she goes on a journey that is a bit chaotic and everywhere, while still being based on a passionate but sharp emotional experience.

While not nearly as frightening Coraline, it is still full of ghosts and ghosts which are all beautifully felt. There are even some great music sequences that prove to be extraordinary. They use both Kat’s taste in music, which she is a real delight for, as a way to stay connected with her parents, and as a special song about raising the dead. Just as the story is centered around bringing the dead to life, the use of stop-motion is a form of magic in itself. In a year that’s an embarrassment of recent stop-motion riches good food for the next pinocchioAlso releasing on Netflix wendell and wilde Still nothing short of amazing to behold.

Where this story goes is your best experience, though it’s clear that Peele’s fingerprints are there throughout production, and it’s better for it. wendell and wilde Packs a healthy dose of suspicion for the institutional corruption that regularly destroys lives, from prisons to the corporations that run them. This draws a clear parallel between the horrors of these systems and the demonic forces that reside beneath them. Anyone who can take up arms through this narrative, maybe take some time to reflect on it and understand that this too is a fundamental part of the film’s underdog story.

As Kat grows in confidence and takes control of her life, the journey she takes inevitably requires her to face all that has been robbed of her so far. He has lost his independence and sense of self, which is what happens when the system wreaks psychological terror on people. The process of rebuilding after everything is broken is an infinitely challenging one, though. wendell and wilde Ready to sit down with more profound thoughts than other films. For those who fear that it might sound a little overwhelming, it strikes a balance between being all reflective and raucous. Her journey is a two-pronged thematic and narrative success that only grows in its emotional resonance and gets you to immerse yourself in its precisely animated world.

Thankfully, Kat doesn’t have to face this world alone as she begins to make friends with the shy but sweet artist Raul (Zelaya herself) what we learn has converged semi-recently. This element, in the most refreshing way, is presented as part of a wider story and multidimensional character that is true. Then there’s the mysterious Sister Haley (Angela Bassett) who seems to recognize what’s going on with Kat while almost no one does. She also holds secrets of her own that will be the key to saving the city. Opposing him in this mission is Father Best (James Hong) who runs the school as a means of profit for CAT and is swindled with corporate mates who want to build a prison.

While there has to be a meaningful conversation about whether these big names are always the best casting choices for animated films, everyone here does a really strong job. Notably, Key and Peele remain a formidable comedy pair. They soon settle into a rhythm, setting each other up for punchlines that hit (so to speak) every time. Although this isn’t the first time they’ve featured together in an animated film, their performance here is more unrestrained and closer to their sense of humor than their sketch shows. Although the two have gone in different directions in their respective careers, it is always a real treat to hear them together.

If there are any hiccups in the film, it comes how the story always struggles to build and maintain the momentum. Many supernatural elements require a lot of set-up and some moments start to feel like they’re a bit stuck. It always manages to move through all of this, but it still made up for in some scenes that felt a little shaky. That being said, it all melts into a cathartic extract that kicks out all the hay. Everything that was set up is coming together in a sequence that is one of the best animation studios that has ever been put on screen. The way the music falls is no less joyful, making one final beat of your heart all the more impressive. When it all comes together, wendell and wilde Feel free to finish, both artistic and thematic, with top-notch work from all involved.

Rating: a-

wendell and wilde It will arrive in select theaters on October 21 and to Netflix on October 28.

Source link